The results of my summer goals:
• Definition of ‘ballad’ for introduction. I’m part way through this, although it needs a LOT more work. I’m discussing it with friends that I met at the Psalm Culture conference in London in July and I’ve given it a lot of thought, but so far, there’s only a little bit on paper. This is my priority when the children go back to school before the university semester restarts. However, I did produce a short piece on the nature of the ballad for my panel meeting, so I can count that too.  I’ve decided that ‘definition’ might be a bit strong and that instead, working on what I understand to be a ballad is going to be an ongoing process.  I’m very pleased with the work I’ve done on this, because I accidentally ended up writing a bit of my introduction that I wasn’t intending to do at the moment.

• Transcription of digital copies of ballads from MSS in the British Library, consulted last autumn. Again, I’m part way through this. I’ve checked the whole of one manuscript and I’m about to start work on another. However, so that I can get my head round what I’ve completed and what I haven’t, I need to make some proper records.  Finished.  Quite pleased with myself, because a week and a half of nose-to-the-grindstone work on two computers at the same time yielded some quite spectacular production.

• Archive visits during summer 2013: Stonyhurst College, Lancashire County Record Office, National Archives etc. This hasn’t quite gone according to plan. Stonyhurst College assure me that they won’t have anything of interest. I haven’t yet made it to the county record office in Preston this summer, although I have been before. I need to go to the British Library again, but I’m not sure how I’m going to fit that in. I’m booked in to the Bodleian in Oxford and I’ve been to the University Archives in Cambridge and the Parker Library. I’d like to go to Keswick and Stratford too, but again, I’m not sure how I’m going to fit it in before the end of the summer.  I thoroughly enjoyed my trips to Cambridge and Oxford, but I never got to Keswick or Stratford or the British Library, so these are things that I will have to try to fit in during the autumn, perhaps at half term.

• Completion of article on ballad epitaph. Yippee – something I can say I’ve completed! This was sent off to a journal several weeks ago.

• Revise ballad flyting chapter. Bigger yippee – something else I can say I’ve completed, at least in its first draft.

• Knowingness, Implicitness and the Early Modern Audience. This is a new addition to the list, and what held up work on the transcriptions. I’m doing some background reading on the audience of cheap print in the period, which feeds in to a heavy-going (at least to write and for me to think about) piece on the use of knowingness in the sixteenth century. This will, eventually, form part of my introduction.  As done as it needs to be for now.  I will come back to it as part of my redrafting, of course.

• Rewrite of chapter plan – This piece of work was set at my panel meeting, as my chapter plan still reads as if I’m just starting my research. My supervisors suggested that I might find it helpful to rewrite my chapter plan to reflect the findings of the chapters I’ve completed. Actually, I found it a rather soul destroying business. I find writing abstracts extremely difficult at the best of times so writing several of them in one go was like torture. I have to admit that I gave up. I ought to come back to it, I suppose! I did finally manage to get that done.

• Submission of proposals for talks – I’ve submitted an abstract for the History Lab North West interdisciplinary conference ‘Beyond History’ in November looking at music as historical evidence – the links between psalms, ballads and politics and especially melodic knowingness. This conference was perfect for me, considering that my work is so interdisciplinary. I was asked to take part in the Material Histories seminar series at the John Rylands University Library next academic year, so I’ve submitted a paper on ‘William Elderton and the Ghost of the Ladie Marques’. That should be fun. I hope that both these papers will provide an opportunity to sing some of the ballads, since that is what they were written for! I’ve also now sent off a proposal for a seminar for the university postgrad seminar series on the Thomas Cromwell flyting, so I think I can safely tick this one off as complete.

Since I finished transcribing the manuscripts earlier this week, I had another look at the work I wrote for the introduction, made a few changes and thought about what else needs doing to it.  It needs revising in the light of the comments made by my music advisor at my summer panel meeting.  Then yesterday afternoon I started to think about my new chapter on ballads and the common weal.  It’s not going to be the most difficult chapter to write, because without a doubt that has to be the one on sixteenth century musical theory.  Nevertheless, it’s not as straightforward as some of the others because I think it’s going to be quite difficult to find an angle from which to approach it.  I think that a few days of immersing myself in the source material are in order. 

Advertisements

Generally speaking, I’m useless at doing nothing. Even if I’m watching television I am usually doing something else at the same time. However, on Monday evening I found myself doing just that – staring out the front of the tent into space and doing absolutely nothing. It didn’t last long, but I think it showed how ready I was for a break.

Medieval cottages in Bibury

Medieval cottages in Bibury

On Tuesday we went to Chedworth Roman Villa, where we caught on to the end of the children’s tour. Apparently the Romans introduced large, white snails which they used for food and their descendants still live in the area, which pleased my youngest a lot as he likes snails. We also saw a lizard basking in the sunshine. That afternoon we went to one of my favourite museums, Keith Harding’s Mechanical Music Museum. A rather brilliant collection of reed organs, barrel organs, paper roll pianos and old disc players. What I really love about the place is the disc they made of David Bowie’s ‘As the World Falls Down’ for the music box scene at the beginning of Labyrinth, as it’s always been one of my favourite films and I can recite whole sections of the dialogue from memory. We heard Gershwin duetting with himself on Rhapsody in Blue on a reproducing piano! Another much-loved museum is the Pitt Rivers in Oxford, but I missed out on that this time. Still, at least my children got to look at the shrunken heads!  Anyway, after the museum, on the advice of a chatty, elderly lady who stopped to talk to us in the street, we drove down through several beautiful little Cotswold villages to Bibury.

Wednesday saw a trip across to Waddesdon Manor, where we counted several hundred cows, horses, cats, dogs, rats and storks in all the paintings and sculptures… There was an interesting art installation, Canticus Arcticus, by Bruce Munro in the stables and the house was full of linen fold sculptures by Joan Sallas.

Waddesdon Manor

Waddesdon Manor

Then on our last day we went on a walk round Port Meadow on the edge of Oxford. Lovely place, but made even better by the company of a friend.  We never got to the Treacle Well, as we didn’t get far enough down the road, but it didn’t matter.  A lovely and very relaxing day out.

English: The courtyard of the Bodelian Library...

English: The courtyard of the Bodelian Library, looking out the north gate from the south gate. (Photo credit: Wikipedia)

On Monday I did a day’s work on manuscripts held in the Bodleian Library.  Particularly, of course, Ashmole 48 – Richard Sheale’s ballad collection. There is some dispute over the purpose of the collection. Sheale is known to have been a minstrel attached to the Stanley family, but interpretations over the years have described Ashmole 48 as his minstrel manuscript or a collection of ballads that he heard and perhaps sung. Most recently, Andrew Taylor has argued that the manuscript was used to collect ballads on Sheale’s travels which he then took back to printers in London for publication. Whatever its purpose when it was compiled, there seems no dispute over the fact that it contains ballads. Which is nice, because it helps me to define ‘ballad’. There were a couple of other very interesting documents too.

Finishing work in Oxford on Monday afternoon marked the end of my work for a week or two. I decided last week that juggling was wearing me out, so for the sake of my sanity and my children I would take a couple of weeks off before they go back to school. As the epitaph ballad went on holiday to Ireland with me in May, this will be the first proper break I’ve had for months.

English: Stonyhurst College, Lancashire

English: Stonyhurst College, Lancashire (Photo credit: Wikipedia)

I thought I’d give you a quick update on my progress towards my summer goals:
• Definition of ‘ballad’ for introduction.  I’m part way through this, although it needs a LOT more work.  I’m discussing it with friends that I met at the Psalm Culture conference in London in July and I’ve given it a lot of thought, but so far, there’s only a little bit on paper.  This is my priority when the children go back to school before the university semester restarts.  However, I did produce a short piece on the nature of the ballad for my panel meeting, so I can count that too.

• Transcription of digital copies of ballads from MSS in the British Library, consulted last autumn.  Again, I’m part way through this.  I’ve checked the whole of one manuscript and I’m about to start work on another.  However, so that I can get my head round what I’ve completed and what I haven’t, I need to make some proper records.

• Archive visits during summer 2013: Stonyhurst College, Lancashire County Record Office, National Archives etc.  This hasn’t quite gone according to plan.  Stonyhurst College assure me that they won’t have anything of interest.  I haven’t yet made it to the county record office in Preston this summer, although I have been before.  I need to go to the British Library again, but I’m not sure how I’m going to fit that in.  I’m booked in to the Bodleian in Oxford and I’ve been to the University Archives in Cambridge and the Parker Library.  I’d like to go to Keswick and Stratford too, but again, I’m not sure how I’m going to fit it in before the end of the summer.

• Completion of article on ballad epitaph.  Yippee – something I can say I’ve completed!  This was sent off to a journal several weeks ago.

• Revise ballad flyting chapter.  Bigger yippee – something else I can say I’ve completed, at least in its first draft.

•  Knowingness, Implicitness and the Early Modern Audience.  This is a new addition to the list, and what held up work on the transcriptions.  I’m doing some background reading on the audience of cheap print in the period, which feeds in to a heavy-going (at least to write and for me to think about) piece on the use of knowingness in the sixteenth century.  This will, eventually, form part of my introduction.

•  Rewrite of chapter plan – This piece of work was set at my panel meeting, as my chapter plan still reads as if I’m just starting my research.  My supervisors suggested that I might find it helpful to rewrite my chapter plan to reflect the findings of the chapters I’ve completed.  Actually, I found it a rather soul destroying business.   I find writing abstracts extremely difficult at the best of times so writing several of them in one go was like torture.  I have to admit that I gave up.  I ought to come back to it, I suppose!

• Submission of proposals for talks – I’ve submitted an abstract for the History Lab North West interdisciplinary conference ‘Beyond History’ in November looking at music as historical evidence – the links between psalms, ballads and politics and especially melodic knowingness.  This conference was perfect for me, considering that my work is so interdisciplinary.   I was asked to take part in the Material Histories seminar series at the John Rylands University Library next academic year, so I’ve submitted a paper on ‘William Elderton and the Ghost of the Ladie Marques’.  That should be fun.  I hope that both these papers will provide an opportunity to sing some of the ballads, since that is what they were written for!

I think that covers most of what I’ve done.  When I’ve been to the Bodleian, I’m going to take a couple of weeks off so that I can spend some time with my children before they go back to school.  I haven’t had any proper time off since my interruption in February/March, which I don’t count because I was ill.  Even when we went on holiday to Donegal I worked every day because I had a deadline coming up.  I think we all deserve a break.