Histfest programme

Histfest programme

I was very pleased to attend Lancaster University‘s postgraduate history conference yesterday, where I spoke about my work on knowingness in Tudor ballads and the links between sacred and secular music.   I think they had a bit of a shock when I started singing ‘Down in Yon Forest‘ to demonstrate the simplicity of melody and ‘call and response form’, both of which help to make it a memorable  tune.  The rest of the musical examples I had recorded my husband singing, because I didn’t feel confident that I would have time to learn them before the seminar, but I think having the musical examples really helped because it brought home how the melody can make links between the songs.  There were some very interesting questions and the paper seemed to go down well.  I was also very interested in the papers presented by my fellow panelists, James Mawdesley and Sarah Ann Robins, both early modernists too.  I would have liked to attend Geoffrey Humble’s paper during the morning, but I accidentally ended up in the wrong room!

I had a really interesting supervision meeting this week where we shared our ideas about early modern attitudes to death and looked at the epitaph ballad that I’ve been studying.  I’ve put that to one side for a bit though, in an attempt to get a chapter finished before my next panel meeting in a month’s time.  So today I’ve gone back to working on the ballad contrafacta, in particular pulling together my table of ballads with more than one set of words to the same tune.  I spent several days on it before we went on holiday and I’ve spent another 4 hours on it today.  It’s still not finished, but I needed a break, so I decided I’d catch up on my blog before I tried to do any more on the table.

On Friday I went to the Pathways postgraduate careers event at the university, but I’m no clearer about what I’m going to do when I finish my PhD.

Advertisements